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26.09.2018 05:44 -
eight wedding dresses and a new blue pleated dress
Craftsmanship and innovation were the cornerstones of many projects and various fashion shows that animated Altaroma 2018. The A.I. Artisanal Intelligence, for example, presented A.I. - Re-action with proposals aimed at bringing craftsmanship closer to the needs of the future and the virtual market.
Furthermore, we are talking about Au197Sm, which confirms itself as a pioneer of evolution in the fashion world with the Couture collides nano technology collection that was shown in Cinecittа studios and that for the first time introduced in the fashion scene the fusion of precious metals and the use of ultrasonic welding. An avant-garde fashion that combines sartorial tradition and nano-tech innovation through a process covered by an international patent that includes passages with a high level of engineering and absolutely artisan phases.
Also noteworthy was the Thursday, June 28th event Tribute to Renato Balestra: a celebratory parade of the Italian couturier loyal to the city of Rome and to Altaroma. It begins with the first dress designed by the couturier, which dates back to 1958, the year in which Renato Balestra opened his atelier, in via Gregoriana in Rome, after various experiences in other fashion houses. The catwalk is then invaded by clothes created from "58 to today, accompanied by eight wedding dresses and a new blue pleated dress, made as a tribute to Rome.
Moreover, with this tribute, a partnership is inaugurated between the fashion house and the Ministry of Cultural Heritage. The heritage of the label, composed of clothes, sketches, samples, audio and video documents, has been declared a particularly important cultural heritage and will be included in the portal of the Fashion Archives of the twentieth century, and will be made available to researchers. The fashion house, moreover, is looking for a valid structure that can accommodate all the material and that can become a museum.
In short, Altaroma 2018 looks to the future without losing sight of the past special occasion dresses, the history and the craftsmanship that has always characterized the Made in Italy. Thanks to his projects, Rome manages to remind us why we love fashion and why we Italians have been (and, in some ways, we continue to be) the masters of the Italian fashion system. Fashion is part of our cultural heritage, and we must defend it, as well as innovate it and bring it to ever higher levels.
Furthermore, we are talking about Au197Sm, which confirms itself as a pioneer of evolution in the fashion world with the Couture collides nano technology collection that was shown in Cinecittа studios and that for the first time introduced in the fashion scene the fusion of precious metals and the use of ultrasonic welding. An avant-garde fashion that combines sartorial tradition and nano-tech innovation through a process covered by an international patent that includes passages with a high level of engineering and absolutely artisan phases.
Also noteworthy was the Thursday, June 28th event Tribute to Renato Balestra: a celebratory parade of the Italian couturier loyal to the city of Rome and to Altaroma. It begins with the first dress designed by the couturier, which dates back to 1958, the year in which Renato Balestra opened his atelier, in via Gregoriana in Rome, after various experiences in other fashion houses. The catwalk is then invaded by clothes created from "58 to today, accompanied by eight wedding dresses and a new blue pleated dress, made as a tribute to Rome.
Moreover, with this tribute, a partnership is inaugurated between the fashion house and the Ministry of Cultural Heritage. The heritage of the label, composed of clothes, sketches, samples, audio and video documents, has been declared a particularly important cultural heritage and will be included in the portal of the Fashion Archives of the twentieth century, and will be made available to researchers. The fashion house, moreover, is looking for a valid structure that can accommodate all the material and that can become a museum.
In short, Altaroma 2018 looks to the future without losing sight of the past special occasion dresses, the history and the craftsmanship that has always characterized the Made in Italy. Thanks to his projects, Rome manages to remind us why we love fashion and why we Italians have been (and, in some ways, we continue to be) the masters of the Italian fashion system. Fashion is part of our cultural heritage, and we must defend it, as well as innovate it and bring it to ever higher levels.
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